Sparse. Laconic. Expansive. Languid. Wry.
The Coen Brother's 2007 Neo-Noir Western 'No Country For Old Men' moves to the fatefully ticking beat of it's own Grandfather Clock.
It's a film that rewards close viewing and is astoundingly faithful to Cormac McCarthy's novel while also being so completely a "Coen Brothers film" even as it's their (only?) adaptation of an existing book.
Featuring an iconic performance by Javier Bardem as the philosophical killer Anton Chigur, brilliant cinematography from frequent Coen collaborator Roger Deakins, and perfectly wrought twangily-Texas turns by Josh Brolin and Tommy Lee Jones.
A number of signature Coens scenes of the lead characters interacting with a variety of shop clerks, receptionists, store owners, and authority figures abound.
283. 'Dog Day Afternoon' (1975) Part 2: The Real Story
In the second of my two-parter on Dog Day Afternoon, we get out of the fictional
282. 'Dog Day Afternoon' (1975) Part 1: The Film
Sidney Lumet's 1975 masterpiece of naturalistic filmmaking is many things: a ban
281. [Indistinct Chatter] 5/8
[the week's collected thoughts] Climbing Docs I recommend: The Dark Wizard (HBO)
280. Sacred Cows: The Star Wars Films
In the second of my infrequently recurring series, Sacred Cows, I'm taking a loo
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