One of the greatest, most thought-provoking yet totally accessible films is this masterpiece of cinema from Iranian filmmaker Abbas Kiarostami.
It's the true story of a Tehran man who impersonates a famous filmmaker and convinces a family that he's going to cast them in a movie. Kiarostami then reconstructs the events that occurred using the real people involved, including the imposter.
Part documentary, part fiction, and entirely about what we think about what we see on-screen, truth, lies, and cinema.
I recommend the Criterion Channel's streaming page about this film as it contains several important subsequent films that will greatly enhance your experience of a film that Martin Scorcese called "life-changing".
Watch the documentary follow-up "'Close-up' Long Shot" here.
Watch the 2009 video interview with 'Close-up' director Abbas Kiarostami here.
One of the greatest, most thought-provoking yet totally accessible films is this masterpiece of cinema from Iranian filmmaker Abbas Kiarostami.
It's the true story of a Tehran man who impersonates a famous filmmaker and convinces a family that he's going to cast them in a movie. Kiarostami then reconstructs the events that occurred using the real people involved, including the imposter.
Part documentary, part fiction, and entirely about what we think about what we see on-screen, truth, lies, and cinema.
I recommend the Criterion Channel's streaming page about this film as it contains several important subsequent films that will greatly enhance your experience of a film that Martin Scorcese called "life-changing".
Watch the documentary follow-up "'Close-up' Long Shot" here.
Watch the 2009 video interview with 'Close-up' director Abbas Kiarostami here.
285. 'Misery' Commentary Track
Watch-along by pressing play when I say, or simply enjoy the auditory delights o
284. Movies I've Never Seen: 'Misery' (1990)
Yeah, so I never saw 'Misery'. Did I miss anything? Find out in this breezy, bu
283. 'Dog Day Afternoon' (1975) Part 2: The Real Story
In the second of my two-parter on Dog Day Afternoon, we get out of the fictional
282. 'Dog Day Afternoon' (1975) Part 1: The Film
Sidney Lumet's 1975 masterpiece of naturalistic filmmaking is many things: a ban
Comments & Upvotes