The understated, minimalist 'Flash Gordon' showed admirable restraint in scenery, costuming, and acting. JUST KIDDING, it's a completely over-the-top circus spectacle of indulgence and various aspects of a film crew working on movies with vastly different tones except they're all working on the same movie. But FLASH means a lot to a lot of people, notably middle-aged white men who were 6 in 1980 and who embrace this movie tighter than they clutch their ticket to Autograph Alley at ComicCon to get a signed pic of the guy who played '3rd Hawkman In Attack Scene' for $25. So we try and plumb the depths, such as they are.
283. 'Dog Day Afternoon' (1975) Part 2: The Real Story
In the second of my two-parter on Dog Day Afternoon, we get out of the fictional
282. 'Dog Day Afternoon' (1975) Part 1: The Film
Sidney Lumet's 1975 masterpiece of naturalistic filmmaking is many things: a ban
281. [Indistinct Chatter] 5/8
[the week's collected thoughts] Climbing Docs I recommend: The Dark Wizard (HBO)
280. Sacred Cows: The Star Wars Films
In the second of my infrequently recurring series, Sacred Cows, I'm taking a loo
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