Amy Heckerling and Cameron Crowe's 1982 adaptation of Crowe's book 'Fast Times at Ridgemont High' is a classic that rises above the low-brow teen-sex comedy that Universal executives probably expected when they green lit the Valley-set film with a bunch of no-name actors (outside of Mr. Hand, of course), a soundtrack of artists who just so happened to mostly be represented by the film's executive producer, and a first-time director who couldn't sound or be more "New York" in Heckerling.
Frequent FCAC guest Ted Jessup joins me to run through all the things that make this film exceptional and iconic. We pay respects to Mr. Hand, Spicoli, Stacy, Linda, Brad, The Rat, Damone, Mr. Vargas, Jefferson and many more.
So, please, say "Aloha" to the pod and join us, won't you? There's nothing wrong with a little information feast on OUR time, is there??
283. 'Dog Day Afternoon' (1975) Part 2: The Real Story
In the second of my two-parter on Dog Day Afternoon, we get out of the fictional
282. 'Dog Day Afternoon' (1975) Part 1: The Film
Sidney Lumet's 1975 masterpiece of naturalistic filmmaking is many things: a ban
281. [Indistinct Chatter] 5/8
[the week's collected thoughts] Climbing Docs I recommend: The Dark Wizard (HBO)
280. Sacred Cows: The Star Wars Films
In the second of my infrequently recurring series, Sacred Cows, I'm taking a loo
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